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Bagnara Calabra, Calabria

Torrone di Bagnara

Bagnara's crunchy almond torrone, cooked over direct heat

The crunchy torrone of Bagnara Calabra, a PGI since 2014: unpeeled almonds cooked over direct heat in sugar and a little honey until brown and glassy, spiced with cinnamon and cloves, cut into bars, dipped in syrup and rolled in sugar.

Course
DolciDesserts
Serves
20
Hands-on
1 h 4 min
Cooking
0 min
Resting
1 h 35 min+
Image coming soon

In breve

In short

Also called Torrone di Bagnara IGP, Martiniana, torrone martiniana, Bagnara nougat and Nougat of Bagnara.

  • Vegetarian
  • Gluten-free
  • Unpeeled sweet almonds, granulated sugar and a little honey (citrus, light wildflower or sulla), ground cinnamon and cloves; no colourings or preservatives.
  • The Martiniana is 35% sugar, 5% honey and 48% almonds; its coating, 6% sugar as syrup and 6% sugar grains, by the specification's doses.
  • Cooked over direct heat, not in a bain-marie, until brown (the ‘monk's cloak’) and glassy: a drop, once cool, breaks like glass.
  • Cut into bars 4 cm–12 cm long, 1.5 cm–2.5 cm wide and high, of 14 g–35 g; dipped in syrup at 110 °C–118 °C, rolled in sugar.
  • Wrapped within 4 hours of cooling and kept dry: damp softens it and spoils the coating.

La provenienza

Where this recipe comes from

Bagnara Calabra is a fishing town on the Costa Viola, facing the Strait of Messina, under a cliff so steep that it never allowed farming beyond a few terraced vines, so it has always lived from the sea. Its trade joined the local almonds and honey to sugar and spices from elsewhere, and from that came its torrone. The first archive documents that mention it date from the eighteenth century and refer to the monks of Bagnara, expert in making the ‘martiniana’, the torrone's original name. From 1846 torrone is named as the speciality of a family of confectioners still in business when the PGI was applied for, by the end of the century suppliers to the royal house of Savoy; in 1885 the writer N. Marcone wrote that the torroni of Bagnara went round the world. Common torrone is cooked in a bain-marie, or at least at lower temperatures; this one is cooked over a lively direct fire at high temperature, which gives it its brown colour, its crumbly crunch and its taste of burnt sugar. Local makers still call that brown the ‘manto di monaco’, the monk's cloak, and the glassy break the cooking must reach the ‘rottura vitrea’.

‘Torrone di Bagnara’ has been a PGI since 2014, by Commission Implementing Regulation (EU) No 882/2014: only torrone made in the municipality of Bagnara Calabra under the specification may carry the name. The specification recognises two versions: the Martiniana, coated in sugar grains, and the Torrefatto glassato, glazed with sugar and cocoa. For each it gives the doses per 100 kg of finished torrone, sets the method and the size of the bars, allows no colourings or preservatives, and requires the bars to be packed within four hours of cooling.

This page makes the Martiniana, the sugar-coated version, by our choice: the specification lists it first, and at home it is the simpler of the two, cooked in one pan and coated with plain sugar. It uses the specification's own doses divided by 200, for about 500 g, or 20 bars. The doses are the specification's; the home method is ours, and it has not yet been tested in a home kitchen: the pan, the heat and the end point (about 170 °C in the mass), the tin, the moment to cut, the spices (the specification leaves them to taste) and the extra syrup and sugar needed to dip and roll the bars, of which only part ends up on them. The optional egg white, vanillin and citrus oils are left out. The cocoa-glazed version is among the variants. Made outside Bagnara Calabra, it is torrone in the Bagnara manner, not Torrone di Bagnara.

Provenance
The dish itself is protected by an EU specification (TSG, PDO or PGI) that fixes how it is made.
Defined by
European Union
Reference
PGI ‘Torrone di Bagnara’, Commission Implementing Regulation (EU) No 882/2014; production specification published in the Gazzetta Ufficiale n. 214 of 15 September 2014; single document in the Official Journal C 89 of 28 March 2014
Sources
Bagnara Calabra, Calabria

Ingredienti

Ingredients

20 servings

The torrone: the specification's doses, divided by 200 (doesn't change with servings)

The coating: more than ends up on the bars (doesn't change with servings)

Equipment

  • Kitchen scale
  • A heavy pan about 24 cm across, stainless steel or copper, and a long wooden spoon
  • Digital probe thermometer reading to at least 200 °C
  • A small loaf tin about 18 cm by 10 cm at the base, lined with baking paper (or a sheet of baking paper on a board)
  • Palette knife and a small bowl of water, or half a lemon on a fork
  • Two cold plates and a teaspoon, for the test
  • A large heavy knife, a ruler and a chopping board
  • A small, deep saucepan about 10 cm across
  • Two forks, a shallow dish and a wire rack over a tray
  • Oven gloves, long sleeves and a bowl of cold water by the stove
  • Cellophane or baking paper and an airtight tin, for wrapping

Preparazione

Method

About 3 hours, most of it cooling and drying: 5 minutes to line the tin and set out what you need, 20–30 to cook the torrone, stirring all the time, about 15 for it to firm and be cut, 30 for the bars to cool (make the syrup in the last 10), 15 to dip and roll them, about an hour to dry and 10 to wrap them. From the moment the sugar is brown to the cutting, work without pausing: the mass sets as it cools. Read the safety tips before you start: the sugar reaches about 170 °C. By our estimate the batch makes about 500 g, 20 bars of about 4.5 cm by 2 cm by 2 cm; each serving here is one bar.

  • 1 h 4 minhands-on
  • 0 mincooking
  • 1 h 35 minresting, at least

Before you start

The sugar for this torrone is cooked to about 170 °C, far hotter than boiling water, and it sticks to the skin. Keep children and pets out of the kitchen, wear long sleeves and closed shoes, cook on a back burner with the pan's handle turned in, and keep a bowl of cold water by the stove, to plunge a splashed hand into at once.

  1. Hands-on 5 min

    Line the loaf tin with baking paper, base and sides, or lay a sheet of baking paper on a board. Put two plates in the fridge for the tests, and set out the spices, the palette knife and a small bowl of water, the oven gloves, the knife and the ruler, so that they are at hand when the sugar is ready.

    Check Everything you need after the cooking is within reach of the stove, the pan sits on a back burner and its handle is turned away from the edge.

    Tip Our guide: there is no butter or oil on the specification's list, and baking paper lets the set sugar go without them.

    Tip Burns: if hot sugar touches your skin, plunge it at once into the bowl of cold water, then hold it under cool running water for 20 minutes. Do not pull off sugar stuck to the skin. A large or deep burn needs medical help.

The torrone

From the moment the sugar is brown to the cutting, work without stopping: the mass sets as it cools.

  1. Hands-on 15–25 minHeat mediumOfficial text

    Put the sugar mass and the unpeeled almonds into the pan and mix them. Cook the mixture over direct heat, at an initial temperature of 160 °C–200 °C, for as long as it takes, stirring, for it to reach the brown colour called ‘manto di monaco’.

    Check All the sugar has melted and coats the almonds in a glossy, even brown, about the colour of the ground cinnamon you have set out. An almond lifted out with the spoon onto a cold plate, left a minute to cool and then cut in half is pale gold to light brown inside, not white.

    Tip Our guide: put the sugar, the honey and the raw almonds in the heavy pan together, over medium heat, and stir all the time with the long wooden spoon, scraping the bottom. By our estimate it takes 15–25 minutes; the colour decides.

    Tip Our guide: the specification does not say whether its 160 °C–200 °C is the heat of its kettle or of the mass. At home, medium heat; the colour decides, and the next step's checks.

    Tip Our guide: at first the sugar turns sandy and clings to the almonds in white grains. Keep stirring: it melts again, then browns.

    Tip Never touch or taste the hot sugar, and never add water to it: it spits.

  2. Hands-on 3–5 minTemp 170 °CHeat lowOfficial text

    Go on cooking slowly, until the sugar mass, at room temperature, is glassy and breaks when pressed: the ‘rottura vitrea’, the glassy break.

    Check Off the heat, a little of the syrup (no almond) dropped from the teaspoon onto a cold plate and left about a minute to cool breaks cleanly, like glass, when pressed with the back of the spoon: it does not bend or stretch. As a guide, a probe thermometer reads about 170 °C with the pan tilted so that the syrup pools round its tip; the drop test decides.

    Tip Our guide: turn the heat to low and keep stirring for a few more minutes. Lift the pan off the heat while each test drop cools, so that it does not go too far.

    Tip Wear oven gloves whenever you lift or tilt the hot pan, for the probe or for a test drop.

    Tip If the drop bends or sticks, give it another minute on low heat and test again. Stop before it turns a dark reddish brown and smokes: past its colour it turns bitter.

    Tip Test with the spoon and a cold plate, never with your fingers.

    Tip The specification allows a little egg white at this stage; this page leaves it out.

  3. Hands-on 1 minOfficial text

    Then add the ground cinnamon and cloves, and mix until the mixture is even.

    Check No streaks of spice are left on the surface and the almonds are spread right through the mass.

    Tip Our guide: off the heat, so that the spices do not scorch.

Shaping and cutting

  1. Hands-on 3 minOfficial text

    Pour the mixture into the mould.

    Check An even slab, about 2 cm thick, with the almonds right out to the edges and straight sides.

    Tip Our guide: wearing oven gloves, lift the pan and tip the whole mass into the lined tin, then press it level with the palette knife dipped in water and shaken dry, or with the cut face of the half lemon on its fork. Without the tin, shape it on the baking paper into a block about 18 cm by 10 cm, pushing the sides in with the palette knife.

    Tip The specification allows any height from 1.5 cm to 2.5 cm; aim for about 2 cm.

  2. Rest 5–10 minOfficial text

    Leave it to cool until it can be handled.

    Check The slab keeps its shape when you press its edge with the palette knife, but is still warm, and a heavy knife pressed straight down would still go through it.

    Tip Our guide: about 5–10 minutes for a slab this thick, by our estimate. Do not wait until it is cold: a sugar glass shatters under the knife instead of cutting.

  3. Hands-on 5 minOfficial text

    Cut it by hand with a knife into pieces 4 cm–12 cm long, 1.5 cm–2.5 cm wide and 1.5 cm–2.5 cm high.

    Check Twenty bars of about 4.5 cm by 2 cm by 2 cm, cleanly cut, brown inside with almonds right through.

    Tip Our guide: lift the slab out by its paper onto the board. Cut it along its length into 5 strips 2 cm wide, then each strip into 4 bars of 4.5 cm, pressing the knife straight down rather than sawing.

    Tip Our guide: by our estimate each bar weighs about 22 g now and about 25 g once coated, within the specification's 14 g–35 g.

  4. Rest 30 min

    Spread the bars out on the paper, apart from each other, and leave them until completely cold. Make the syrup in the last 10 minutes.

    Check Cold underneath as well, and hard: a bar no longer gives at all when pressed.

    Tip Kept apart, they cannot stick back together as they set.

    Tip Meanwhile, once the empty pan is cool to the touch, fill it with warm water and leave it to soak: the set sugar dissolves.

The coating

  1. Hands-on 5–8 minTemp 115 °CHeat mediumOfficial text

    Dissolve the sugar for the glaze in the water, then cook it at 110 °C–118 °C until it becomes a sugar syrup.

    Check The sugar has fully dissolved and the syrup is clear. With the pan tilted so that the syrup pools round its tip, a probe thermometer reads about 115 °C; without one, a few drops in a glass of cold water gather into a soft ball you can squeeze.

    Tip Our guide: in the small, deep saucepan, stir the sugar and water over medium heat until the sugar has dissolved, then stop stirring and let it boil to about 115 °C, the middle of the specification's range.

    Tip Our guide: take it off the heat as soon as it is ready and dip at once; left on the heat, it goes on thickening past the specification's 118 °C. If it grows too thick to drip from a bar, stir in a teaspoon of hot water off the heat, standing back as it spits, and bring it back to 110 °C–118 °C.

  2. Hands-on 15 minOfficial text

    Dip the torroni in the syrup and drain them so that the excess runs off; at once, while still hot, roll them in the sugar, so that no lumps form as they cool.

    Check Every side of each bar is covered with a thin crust of sugar grains, the brown torrone just showing through, with no lumps of sugar stuck to it.

    Tip Our guide: put the sugar for rolling in the shallow dish. Tilt the saucepan so that the syrup pools on one side; with one fork, lower a bar into it, turning it so that every face is coated, lift it and let it drip for a few seconds, then drop it into the sugar and roll it with the second fork. Shake off the loose sugar and set it on the rack. One bar at a time.

    Tip Keep one fork for the syrup and one for the sugar: grains of sugar carried into the syrup make it grainy.

  3. Rest 1 hOfficial text

    Leave them simply to dry at room temperature.

    Check The coating is dry to the touch, no longer sticky, and firm.

    Tip Our guide: about an hour, by our estimate, in a dry room. Handle them as little as you can: each touch takes off some of the sugar.

  4. Hands-on 10 minOfficial text

    Wrap them within 4 hours of cooling, without handling them in between, so that they keep their sugar coating.

    Check Each bar wrapped on its own, closed all round, and the tin shut tight.

    Tip Our guide: wrap each bar in cellophane or baking paper, twisting or folding the ends, and keep them in an airtight tin in a cool, dry place.

  5. Hands-on 2 min

    Unwrap the bars and serve them at the end of the meal, with a glass of passito made from Zibibbo grapes of the Costa Viola.

    Check A bite breaks cleanly, crunchy and crumbly rather than chewy, with a taste of toasted almonds and burnt sugar and a light spiced finish.

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Da sapere

Good to know

WhenQuando
Christmas: it is one of the typical sweets of the Christmas holidays, though it has come to be eaten in the other months too. Source
KeepingConservazione
Wrapped within 4 hours of cooling, each piece on its own, and kept dry: damp air softens it, melts or cracks the coating, takes away its crunch and can bring mould. Source
VariantsVarianti
  • Torrefatto glassato: The cocoa-glazed version, with the sweeteners the other way round: by the specification's doses, 10% granulated sugar and 30% honey, with the same 48% of unpeeled almonds, but toasted beforehand and stirred in only at the end, after the spices, once the sugar mass breaks like glass. The bars are dipped in a syrup of sugar (11%, partly replaceable by fondant) with bitter cocoa (1%, with 22–24% cocoa butter), drained and left to dry; then the underside is cleaned of drips and brushed with the same syrup. Shiny, smooth and dark brown, with a taste of bitter cocoa. Source

Errori comuni

Common mistakes

  • Using blanched or salted almonds: the specification asks for sweet almonds with their skins. This page uses them raw, by our reading, since they toast in the pan: roasted ones would be toasted twice.
  • Cooking it in a bain-marie, or stopping at a pale gold: this torrone is cooked over direct heat until brown and glassy, which gives it its crunch and its taste of burnt sugar.
  • Going past an even brown to a dark reddish brown that smokes: the sugar turns bitter.
  • Testing the sugar with your fingers: at about 170 °C it sticks to the skin and burns. Use a spoon and a cold plate.
  • Waiting until the slab is cold to cut it: it shatters instead of cutting.
  • Using the same fork for the syrup and the sugar: the grains make the syrup grainy.
  • Leaving the bars unwrapped, or anywhere damp: they soften, the coating melts or cracks and the crunch is lost.
  • Handling the coated bars more than you must: they lose their sugar.

Fuori dall'Italia

Cooking it outside Italy

  • Sulla honey is called French honeysuckle honey in the English text of the PGI's single document; orange blossom honey or a light wildflower honey is equally allowed.
  • Buy natural almonds with their brown skins (sold as raw or natural almonds), not blanched, roasted or salted ones.
  • The coating sugar, zucchero in grani, is called granulated sugar in the English text of the PGI's single document: ordinary granulated sugar will do.
  • In the US, a small loaf pan is the size to use for the slab.
  • Passito is a sweet wine from dried grapes; another dessert wine will do.

Il menù continua

What to cook next